Timeless antique art pieces bring depth and elegance to interiors, turning any room into a refined space filled with culture and historic beauty. Each painting, print, or sculpture captures the craftsmanship and emotion of its era, making it both collectible and deeply personal.
A well drawn and painted Islamic miniature illustrated manuscript, probably from India, 19th century or later.
A French botanical illustration, 19th century.
A French botanical illustration, 19th century.
A Spanish carved Baroque oak panel, scrolls flanking a stylized tree, circa 1750.
A framed early 19th-century German political cartoon, "The Free Press".
"Tempi Moderni" a map of Asia, Italy circa 1850. Engraved by Nicolò Cellai.
"The Fire King in the Silver Palace", England, 18th century.
"Arato", engraved by Carlo Gregori (1702–59), Italy, 18th century.
"Germanico", engraved by Carlo Gregori (1702–1759), Italy, 18th century.
An original watercolor of a farm scene, signed indistinctly lower left and dated 1977.
A 18th-century Italian print of ancient Greek pottery from the Vatican Library.
"Sheep Creek", a watercolor, signed Cynthia Underwood, U.S.A.
A watercolor, Japan circa 1850.
An antique painted and gilt very large sign from an ancestral hall, Hong Kong, 19th century.
A vintage Chinese ink and wash painting, circa 1920s.
A French engraving of the floating bridge over the Neva, St. Petersburg, Russia, circa 1750. Engraved by de Lespinasse (1734–1808).
An antique Wedgwood oval Neoclassical plaque, England, 19th century.
David Gilhooly, "Jackson Pollock's Dog, A Shadow of His Former Self", signed and dated lower right, 1987.
An oil on board painting of a flower stall, Union Square, San Francisco, signed by Amado González (1913–2004), circa 1970.
"A View in Newstead Park, belonging to the Rt Hon. the Lord Byron", printer T. Smith, published 1749.
"Wasp, Child & Billy", print of bulldogs and badger, published 1809 by Random & Sneath.
A plan of Rome from the "Atlas Historique", France, 1718.
A view of Florence, Italy, pastel, circa 1910.
A scene from Genesis XX, the drunkenness of Lot sleeping on his daughters, by Lucas Vortersman after Gentileschi, 1625.
